

Raphaël, 30 years old, has recently become single. Faced with the single life and long evenings alone, he calls his best friend Adrien one Friday night to ask him out. Adrien is not available, but he tells Raphaël about a mysterious application called "Boys-R-Us" that can fill his current lack of affection. This surrealistic application allows users to choose the boy of their choice who will immediately come and satisfy their desires... Raphaël tries the application the same evening, seeing with astonishment that it works, he uses the following days this strange and mysterious application by becoming addicted to it...
Director: Julien Spas
Writers: Julien Spas
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Desperate for a clue to a mysterious case, an Investigator pushes for a last-minute interview with his only witness: a corrupt A.I. Now the Investigator has 10 minutes to find out what the A.I. knows before it is dismantled by the scientists.

Year 2038: The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

Futuristic story of Carlos and Ben who fall in love in high school despite the racism and and homophobia. When Fundamentalist forces threaten to take over the U.S. the pair join forces with an underground resistance movement.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
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