

On a visit home to Idaho, Matt documents family dynamics and recalls scattered memories from childhood. “Here We Have Idaho,” is a witty self-portrait about small-scale resentments and feeling undervalued amongst loved ones. He leaves his “high-octane, balls-to-the-wall” life as a New York City alt comic to spend some time with the fam. But soon he learns there’s no room for him to stay in the house — he’s been demoted to sleeping in a trailer in the driveway, a fact that he stews on for days.
Director: Matt Barats
Writers: Matt Barats
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Young employee Devon meets with his superior Jack for a company mandated Wellbeing Assessment.

Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
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